I Just Want to See His Face

Composers: Mick Jagger, Keith Richards & Mick Taylor
Recording date: December 1971-March 1972       Recording location: Sound Studios, Los Angeles, USA
Producer: Jimmy Miller      Chief engineers: Andy Johns & Joe Zagarino
Never performed onstage


Probable line-up:

Drums: Charlie Watts
Upright acoustic double bass: Bill Plummer
Lead vocal: Mick Jagger
Background vocals: Clydie King, Venetta Fields & Jesse Kirkland
Wurlitzer electric piano: Bobby Whitlock
Maracas: Jimmy Miller
Tambourine: Jimmy Miller
Handclaps: ---
 

Can I get a witness?
Can I get a witness?

That's all right
That's all right
That's all right

Sometimes you want no trouble, sometimes you feel so down
Let this music relax you mind
Can you feel it relax your mind?
Stand up and be counted, yeah

Can I get a witness?


Sometimes you need somebody, if you have somebody to love
Sometimes you ain't got nobody and you want somebody to love, yes
 
All right

Then you don't want to walk and talk about Jesus
You just want to see His face
You don't want to walk and talk about Jesus
You just want to see His face

You just want to see His face
You just want to see His face
You just want to see His face - oh yes...
You just want to see His face
 
 

TrackTalk

I Just Want to See His Face was a jam with Charlie and Mick Taylor. I don't know who's playing keyboards, maybe I am. I don't even know what album it was on. That was on Exile? I think it was just a trio originally, though other people might have been added eventually. It was a complete jam. I just made the song up there and then over the riff that Charlie and Mick were playing. That's how I remember it, anyway. I'd forgotten about that one.

- Mick Jagger, 1992


(Bobby Whitlock) is playing the Wurlitzer on the track. Bobby was at the studio doing business with Jimmy Miller. The guys were all there but Keith, who was out scoring dope (as Bobby tells it). Mick asked about his dad being a preacher and asked Bobby to play something with a gospel feel. Bobby immediately started to play what you hear on the record. Mick began scatting. Bobby was unaware that they were recording. Keith showed up at the end of this jam, and Bobby left. When the record came out, Bobby was in the office with Jimmy Miller thrilled to see it and hear it when he found out they never credited him. He refused to ever listen to that record.

The reason they haven't performed it live is because as Chuck Leavell told Bobby, they can't get the vibe. That's because it's a Bobby thing. Bobby should have been credited as a co-writer as he came up with the music, Charlie and Mick Taylor were following his lead as was Mick.

- CoCo Carmel Whitlock, wife of Bobby Whitlock, 2019 (email to website owner)


I'm just playing the Doubting Thomas. I don't think it's a particularly rare idea.

- Mick Jagger, 1992


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