Probable line-up:

Drums: Charlie Watts & Jimmy Miller
Bass: Mick Taylor
Electric guitars: Mick Jagger & Keith Richards (incl. solo)
Lead vocal: Mick Jagger
Harmony vocal: Keith Richards
Background vocals: Mick Jagger, Keith Richards, Clydie King, Venetta Field & Merry Clayton
Piano: Nicky Hopkins
Saxophone: Bobby Keys
Trumpet and/or trombone: Jim Price
 

Women think I'm tasty, they're always trying to waste me
Make me burn the candle right down
But baby, baby
I don't need no jewels in my crown

Cause all you women is low down gamblers
Cheating like I don't know how
Baby, I'm no crazy
There's fever in the fuck house now

This low down bitching got my poor feet itching
Don't you know the deuce is still wild?
Baby, I can't stay

You got to roll me and call me the tumbling dice

Always in a hurry, I never stop to worry
Don't see the time flashing by
Honey, got no money
I'm all sixes and sevens and nines

Say now, baby, I'm the rank outsider
You can be my partner in crime
Baby, I can't stay

Oh my, my, my, I'm the lone crap shooter
Playing the field every night
Baby, can't stay

Got to roll me...

...yeah

Keep on rolling

...yeah... baby, call me the tumbling dice, yeah
Oh baby, sweet little sugar... yeah...
 
 

TrackTalk

Keith and me (wrote it). I wrote the lyrics. (He did the groove.)... It comes back to that thing where I really don't remember who had the melody or not, but it doesn't really matter. I don't really know what people like about it. I don't think it's our best stuff. I don't think it has good lyrics. But people seem to really like it, so good for them.

This was done in the basement of my house, this grand Edwardian Villa called Villa Nellcote in Villefranche in Cap Fernat, where we did all of Exile. I remember writing the riff upstairs in the very elegant front room, and we took it downstairs the same evening and we cut it. A lot of time when ideas come that quick, we don't put down lyrics, we do what what we call vowel movement. You just bellow over the top of it, to get the right sounds for the track.

With Tumbling Dice we worked on that for a couple of weeks at least, just the basic track. I know we had a hundred reels of tape on the basic track. That was a good song, but it was really like pulling teeth. It just went on and on.

Tumbling Dice was written to fit Keith's riff. It's about gambling and love, an old blues trick. I had a lot of friends at that time who used to fly to Las Vegas for the weekend.

(T)hat's the perfect tempo (for that song). Try to top that one up and you lose the flow.

(M)y pet theory is that if you play a particular song long enough onstage, then they mumble to one another, Oh, that's a good song. It's like you've endorsed your own material simply by playing it onstage.

I really loved Tumbling Dice. Beautifully played by everybody. When everybody hits it, that's those moments of triumph.

Back to Exile On Main Street.

Back to Main Page.