Composers: Mick
Jagger & Keith Richards
Recording date: March-May
1970, December 1970 & c. February 1971
Recording locations: Rolling
Stones Mobile Unit, Mick Jagger's home, Newbury, England
& Olympic Sound Studios,
London
Producer: Jimmy
Miller
Chief engineers:
Glyn
Johns & Andy Johns
Performed onstage: 2005-07

Line-up:
Drums: Charlie
Watts
Bass: Bill
Wyman
Rhythm electric guitar: Mick
Jagger
Lead electric guitar: Mick
Taylor
Lead vocal: Mick
Jagger
Background vocals: Mick
Jagger, Keith Richards, Pete
Townshend, Ronnie Lane &
Billy Nicholls.
Piano: Nicky
Hopkins
Strings: (unknown
musicians)
One, two, three, four
Did you ever wake up to find
A day that broke up your mind
Destroying your notion of circular time?
It's just that demon life has got you in its sway
Ain't flinging tears out on the dusty ground
For my friends up on the burial ground
Can't stand the feeling, getting so brought
down
It's just that demon life has got me in its sway
There must be ways to find out
Love is the way they say is really strutting
out
Hey, hey, hey now
One day I woke up to find
Right in the bed next to mine
Someone that broke me up with a corner of
her smile, yeah
TrackTalk
(Y)ou... need two guitars (to play that song) , 'cause you need one guitar in open tuning to play the dah-dum-dah-da. In fact it was Mick Jagger that played rhythm guitar on that track.
On Sway I used the Les Paul; Keith
doesn't play on that track. Mick Jagger's playing rhythm guitar... (I played
the slide part and the solo) at the same time. I put the slide on my little
finger so it would still leave the other 3 fingers free to play like they
would regularly, and I switched from one to the other. That was played
in regular tuning.
(On Sway Mick plays electric guitar).
Yeah... Well, like I say, acoustically he's got a nice touch. It doesn't
translate electrically. It's not his thing. It's not everybody's cup of
tea... I'd never let him play electric if I could help it. He's like Bob
Dylan, same thing. They thrash away at it. No sense of electric at all.
Usually I turn him down.
(W)e didn't always get there at the same time.
If we felt like playing, we would. That's why on Sway the backing
track was done with just Charlie, Mick, and me.