Composers: Mick
Jagger & Keith Richards
Recording date: December
1973 & April-May 1974
Recording locations: Ron
Wood's home studio, London; Rolling Stones Mobile Unit,
Mick Jagger's home, Newbury,
England; & Island Recording Studios, London
Producers: The
Glimmer Twins
Chief engineers:
George
Chkiantz & Keith Harwood
Performed onstage: 1975-77,
1989-90, 1994-95, 1997-99, 2002-03, 2005-07

Probable line-up:
Drums: Kenny
Jones
Bass: Willie
Weeks
12-string acoustic guitar: Ron
Wood
Electric guitars: Keith
Richards
Lead vocals: Mick
Jagger
Backing vocals: Mick
Jagger, Keith Richards, Ron Wood & Mick Taylor
Piano: Ian
Stewart
If I could stick my pen in my heart
I would spill it all over the stage
Would it satisfy you? Would it slide on by
you?
Would you think the boy is strange?
Ain't he strange?
If I could win you, if I could sing you
A love song so divine
Would it be enough for your cheating heart
If I broke down and cried?
If I cried?
I said I know it's only rock & roll but
I like it
I know it's only rock & roll
But I like it, like it, yes I do
Oh well, I like it (yeah)
I like it
I said can't you see that this old boy has
been lonely?
If I could stick a knife in my heart
Suicide right onstage
Would it be enough for your teenage lust?
Would it help to ease the pain?
Ease your brain?
If I could dig down deep in my heart
Feelings would flood on the page
Would it satisfy you? Would it slide on by
you?
Would you think the boy's insane? He's insane
And do you think that you're the only girl
around?
I bet you think that you're the only woman
in town
Ooh yeah
I like it...
Only rock & roll but I like it...
Oh yeah but I like it...
TrackTalk
Mick (Jagger) and I worked out I Can Feel the Fire and after we'd done that, he said, Help me with this song 'cause I wanna see how it turns out. So, say on a Tuesday evening: two guitars - Mick and I - and Mick singing lead vocal and David Bowie and myself on backup vocals. Then I overdubbed the rest of the instruments last and it sounded like a good demo. So the next night, we wanted to put it in a more presentable shape so we got hold of Kenny Jones who plays the drums on the actual record. Ah... I ended up with just my acoustic guitar that I laid originally. Keith replaced - RIGHTLY SO - the guitars that I'd done electrically.
The idea of the song has to do with our persona
at the time. I was getting a bit tired of people having a go, all that
oh,
it's not as good as their last one business. The single-sleeve had
a picture of me with a pen digging into me as if it were a sword. It was
a light-harded, anti-journalistic sort of thing. We originally recorded
it in Ronnie Wood's demo-studio.
I didn't do that, that was done - I was in
bed at the time of that... And that was done - Kenny played that, Kenny
Jones, they pulled HIM out' cause he lived near to Richmond. It was done
in a very beautiful house in Richmond that Ronnie used to own. Pete Townshend
owns it now, there's a bit of name-dropping isn't it, you'll like that.
We cut it but it just didn't have that one-off
feel. So eventually we went back to the dub and overdubbed (laughs) on
David and on Kenny and... did another one of those because it just had
the right...
I said, But you forgot one thing, Keith,
you forgot my twelve-string. And he said, (grunts) I left that on.
I like that track It's Only Rock 'n Roll...
Yeah, it's a very Chuck Berry song, but it's
got a different kind of feeling to it than a Chuck Berry song. But it's
completely Chuck Berry...