Composers: Mick
Jagger & Keith Richards
Recording date: March-June
1989
Recording locations: Air
Studios, Montserrat, Virgin Islands; Palace of Ben Abbou, Tangiers,
Morocco; & Olympic Studios,
London, England
Producers: Chris
Kimsey & The Glimmer Twins
Chief engineer:
Christopher
Marc Potter
Mixers:
Chris Kimsey & Christopher Marc Potter
Never performed onstage
Probable line-up:
Drums: Charlie
Watts
Acoustic bass: Ron
Wood
Acoustic guitar:
Keith Richards
Electric guitars:
Keith Richards & Ron Wood
Lead vocals: Mick
Jagger
Background vocals: Lisa
Fischer, Sarah Dash,
Bernard
Fowler, Tessa Niles &
Sonia Morgan
Keyboards: Mick
Jagger
African-Moroccan instruments: The
Master Musicians of Jajouka & Bachir
Attar Farafina
Percussion programming: Matt
Clifford
Tambourine:
Luis
Jardim
Bongos:
Luis
Jardim
Knife & bicycle (percussion):
Keith Richards
TrackTalk
I woke up one morning to find Mick playing this thing on the keyboard (hums the song's riff). And I thought, Ah, that's nice, that reminds me of Morocco.
I was writing this song and remembering (the
Master Musicians of Jajouka's) harmonics and thinking wouldn't it be great
to have them on the track and this letter arrived (from Bachir Attar).
Amazing, eh?
I remember Brian playing (his Moroccan) tapes
(in the '60s). We had this engineer we were working with, George
Chkiantz, and George was one of the first people to be heavily into
phasing, which was like the scratching of the middle '60s. So Brian took
all of the Jajouka tapes and put them through phasing, which was really
quite before its time. I always felt the Stones were quite adventurous
that way.
I made that metallic noise at the beginning
of the song with a knife against a bicycle wheel. I supposed you could
do it with a spoon. But it wouldn't sound as good as it does with the knife.
Kids, don't try this in your own homes; these men are trained professionals.