Composers: Mick
Jagger, Keith Richards & Andrew Oldham
Recording date: October
1965 Recording
location: IBC Studios, London
Producer: Andrew
Oldham
Engineer:
Glyn
Johns
Performed onstage: 2005-06*
(*in
2006 in Milan, as Con Le Mie Lacrime)

Probable line-up:
Acoustic guitars: Keith
Richards
Vocal: Mick Jagger
Strings: (unknown
musicians)
It is the evening of the day
I sit and watch the children play
Smiling faces I can see, but not for me
I sit and watch as tears go by
My riches can't buy everything
I want to hear the children sing
All I hear is the sound of rain falling on
the ground
I sit and watch as tears go by
It is the evening of the day
I sit and watch the children play
Doing things I used to do they think are new
I sit and watch as tears go by
TrackTalk
We never dreamed of doing As Tears Go By ourselves when we wrote it. We just gave it straight to Marianne Faithfull. We wrote a lot of songs for other people, most of which were very unsuccessful.
We just
wrote it. And Andrew Oldham was managing (Marianne Faithfull) so decided
to do it with her. I think we thought it was very soft for us to do at
the time, being a sort of blues band.
It was
pop and we didn't record it (at first) because it was crap. We had a successful
crap ballad... I can say now it's a wonderful tune, but we didn't think
it was that great at the time.
I wrote
the lyrics, and Keith wrote the melody... It's a very melancholy song for
a 21-year-old to write: The evening of the day, watching children
play... It's very dumb and naive, but it's got a very sad sort of thing
about it, almost like an older person might write. You know, it's like
a metaphor for being old: You're watching children playing and realizing
you're not a child. It's a relatively mature song considering the rest
of the output at the time. And we didn't think of doing it, because the
Rolling Stones were a butch blues group. But Marianne Faithfull's version
was already a big, proven hit song... It was one of the first things I
ever wrote.
I sang
about children then. I wrote that song when I was 20. It was reflective
- though they weren't my children at that point (laughs).