Composers: Keith
Richards, Steve Jordan &
Waddy
Wachtel
Recording date: March-September
1992
Recording locations: The
Site, San Rafael, California; Studio 900, Master Sound Astoria,
New York Giant Recording Studios
& The Hit Factory, New York City
Producers: Keith
Richards, Steve Jordan & Waddy Wachtel
Chief engineer: Don
Smith

Line-up:
Drums: Steve Jordan
Bass: Charley
Drayton
Electric guitars: Keith
Richards & Waddy Wachtel
Lead vocal: Keith
Richards
Background vocals: Keith
Richards, Waddy Wachtel, Steve Jordan & Sarah
Dash
Organ: Ivan
Neville
Clavinet: Ivan
Neville
Making it
It doesn't matter how many
Taking it
Well I can't shake it off of my back, damn
monkey
It's either too tight or it's too slack
Ninety nine
That's all it is
Ninety nine
How much
Ninety nine
Ninety nine
You better hack it baby
Yeah, my time exploded, space blew up
Need something in my dixie cup
Oh let me get it right
There's the best pair of lips I've kissed
all night
How much - ninety nine
Well give it to me, I'll pay you later
Nine ninety nine
I got a pocket calculator
Yeah, it don't make sense
Nickles and dimes
Nine ninety nine
Yeah, the lion and the lamb are locked in an
embrace
You won't get it till it's in your face
Oh, get me out of deeper red
Don't panic
It's where I want to be
Yeah, a useful member of society
I just need a little of that old money
Gimme ninety nine, yeah
Well, I can't shake it off of my back
Goddamn junkie
Yeah it's too tight or it's too slack
Well some things never change
Price of bullets remains the same
Here we go
Hand over fist, slap on the wrist
Nine
That's all I'm asking for
How much?
How much do you want to give?
Yeah, it's just a little bit
Nine
Yeah they operate
Look at the state of me, baby
Well, cost twenty grand, pitiful
Nine
Put your money where your mouth is
Cough it up
Nickels and dimes
Yeah
Nine ninety nine
TrackTalk
(The distortion's) bad, huh? Yeah... Believe it or not, that's through a Palmer simulator. A little box, no speakers. This is against all my principles, right? I plugged that mother in, and it's also through a Twin. But that sound basically comes out of the Palmer. Waddy and I are purists about amp sounds, but we couldn't deny that thing. At the right setting, it was, Whoa! Hey! We can get this now, but it's taken a long time to find it.